CONTENEDORES DE 20 PIES

Mostrando los 11 resultados

CONTENEDOR DE 20 PIES MODIFICADO

El precio original era: 1.700,00 €.El precio actual es: 1.500,00 €.

CONTENEDOR DE ENVÍO CAFETERÍA DE MADERA DE 20 PIES

El precio original era: 1.800,00 €.El precio actual es: 1.700,00 €.

CONTENEDOR MARÍTIMO 20 PIES OBSERVACIÓN

El precio original era: 1.500,00 €.El precio actual es: 1.400,00 €.

Contenedor marítimo 20 pies Open Side

El precio original era: 1.400,00 €.El precio actual es: 1.150,00 €.

CONTENEDOR MARÍTIMO 20 PIES OPEN TOP NUEVO

El precio original era: 1.300,00 €.El precio actual es: 1.200,00 €.

CONTENEDOR MARÍTIMO DE 20 PIES USADO

El precio original era: 900,00 €.El precio actual es: 850,00 €.

CONTENEDOR MARÍTIMO HC BLANCO DE 20 PIES

El precio original era: 1.050,00 €.El precio actual es: 950,00 €.

Contenedor seco de 20 pies – lado abierto

El precio original era: 3.000,00 €.El precio actual es: 2.700,00 €.

NUEVO CONTENEDOR BEIGE 20 PIES

El precio original era: 1.000,00 €.El precio actual es: 980,00 €.

PROYECTO CENTRO DE VENTAS 20

El precio original era: 1.800,00 €.El precio actual es: 1.500,00 €.

Online store of household appliances and electronics

Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.

A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.